Welcome the Children
Some of my earliest memories are of being in church at Mass. We had no cry room at St. Vitus in New Castle, Pennsylvania, and therefore Mom had no choice but to keep my older brother and me in tow. I don’t remember everything, but I am certain that like typical kids, my brother and I squealed and squirmed and fought with each other during Mass. But Mom didn’t give up. Her determination to bring us to Mass had a huge impact. I may not have understood everything that happened during Mass, but those experiences cultivated and nurtured the seeds of my faith in a way that nothing else could.
Remember
Let the People Hear Themselves Sing!
Political commentaries abounded when Pope Francis made his first visit to the United States. But there were liturgical commentaries too. The ones that struck me the most were comments made on social media by well-known Catholic liturgical composers about the cantors who served at the Papal liturgies. These came from Facebook:
Even rock stars get off the mic when they want the people to sing. Why can't cantors? Tony Alonso
Watching Papal Mass in Philadelphia from here in Southern Turkey. Why do cantors sing the assembly's parts into the microphone? Gerry Galipeau
These comments prompted me to reexamine the role of the cantor. According to the Church,
As a leader of congregational song, the cantor should take part in singing with the entire gathered assembly. In order to promote the singing of the liturgical assembly, the cantor’s voice should not be heard above the congregation. As a transitional practice, the voice of the cantor might need to be amplified to stimulate and lead congregational singing when this is still weak. However, as the congregation finds its voice and sings with increasing confidence, the cantor’s voice should correspondingly recede. At times, it may be appropriate to use a modest gesture that invites participation and clearly indicates when the congregation is to begin, but gestures should be used sparingly and only when genuinely needed. Cantors should lead the assembly from a place where they can be seen by all without drawing attention from the liturgical action. When, however, a congregation is singing very familiar responses, acclamations, or songs that do not include verses for the cantor alone, the cantor need not be visible. Sing To the Lord: Music in Divine Worship. (United States Conference of Catholic Bishops)
The comments regarding the cantors were right on. The cantor helps remind the assembly that the only voice that counts is theirs. In other words, it’s not about the cantor, as wonderful as a cantor’s voice might be. It’s about you, the assembly! It’s about your voices, (no matter how well or badly you think you sing) united as one body in the praise of the living God. No sound is sweeter!
Singing during Communion
Pope Francis speaks many languages: Spanish, Italian, German, French, Portuguese, and Ukrainian among them. But wherever he goes, Francis primarily speaks the language of mercy.
He continually challenges us to broaden our focus, to look beyond ourselves in order to see the plight of those in need. This, ultimately, is the language of community.
Community is also the primary language of the liturgy. As my professor, Monsignor Kevin Irwin would say, “The liturgy is not about the self, it’s about the we. 99% of the pronouns we use in the liturgy are we, our and us.” Despite our American preference for individual freedoms, we are called to participate in the liturgy as a community--one body--united in Christ.
One of the ways we do that is by singing, particularly during communion. The General Instruction of the Roman Missal, the book which guides us on how to celebrate the liturgy, says this:
While the Priest is receiving the Sacrament, the Communion Chant is begun, its purpose is to express the spiritual union of the communicants by means of the unitiy of their voices, to show gladness of heart, and to bring out more clearly the "communitarian" nature of the procession to receive the Eucharist. The singing is prolonged for as long as the Sacrament is being administered to the faithful. GIRM 86.
For some, singing during communion might be perceived as an intrusion on their private prayer. I have been asked more than once, “Why do we sing during communion? Isn’t that the ‘me and Jesus time?’” The idea of private prayer during the liturgy likely stems from a history of liturgical practices. For centuries, the liturgy was prayed by the priest in Latin, a language people no longer spoke, and in a low voice. So not only could they not understand what the priest was praying, they couldn’t hear what he was saying! And there were periods where lay people were thought unworthy to receive communion. So people prayed their own private prayers, rosaries, and other devotions during Mass.
Things are different now. The Church not only gives us permission to sing during communion, it mandates it. Our own bishops have said that, “Because the Communion chant expresses the unity of those processing and receiving the Holy Sacrament, communal singing is commendable. The singing of the people should be preeminent.”
The Church hopes that the texts we sing and the act of singing itself will unite us, strengthening the sacramental presence of the Eucharist, so that we too can speak the language of mercy in the world.